From Fantasy to Reality: An Interview with Gordon on his Love for Shirakami Fubuki
Passion in fandom can take many forms. For some, it’s watching streams and attending conventions and live concerts. For others, it’s expressed through creativity, turning fantasy into reality. Whether through art, fashion, handcrafted projects, or community initiatives, these creators transform inspiration into something that other fans can see, feel, and experience.
Within the hololive community, there are fans who go beyond simply celebrating their oshi. They build, design, and create, pouring hours, days, weeks, and even months of dedication into projects that reflect both their production skills and their love for the talents who inspire them.
For our sixth guest in the Interview series, we’re excited to welcome Gordon, a devoted Sukonbu whose creativity spans everything from compositing animation into real life to making fun meme videos, and ambitious large-scale projects involving a life-sized figure of Shirakami Fubuki herself.
Over the years, Gordon has carved out a unique space within the community through his blend of live action with character animation, fashion-inspired designs of the hololive talents, and unwavering support for Fubuki and the FBKINGDOM. In this interview, we explore his creative journey, the evolution of his content, the stories behind his projects, and his activity and appreciation for the hololive community.
hololive TODAY / hT:
Welcome, Gordon! Thank you so much for taking the time to interview with us at hololive TODAY. You’re our sixth guest in this interview series, and we’re really happy to have you here!
Gordon:
The pleasure is all mine, thank you so much for having me!
hT:
To start things off, could you tell us a bit about yourself? When did you first become involved with hololive and the hololive community, and what initially drew you in?
Gordon:
I’ve loved creating videos since I was little. Back in middle school, I even uploaded all sorts of different works to my YouTube channel. But after growing up and starting to work, that passion slowly faded away. I became just another corporate slave (社畜), and bit by bit, society ground me down until I started feeling like life had no meaning—just work, go home, sleep, repeat. I turned into the exact kind of person I never wanted to be as a kid (someone who just goes with the flow, with no dreams left).
So I made the decision to quit my job and dive back into creating again. It was around the end of 2022 when I first encountered hololive—right after I started creating again. I came across a really high-quality animation video on YouTube, and my first thought was: “Whoa! Anime these days have such amazing opening sequences—what anime is this?”
Then I found out it was actually Houshou Marine’s “Marine Box” (the famous “I’m Your Treasure Box” original anime MV). That became my entry point into VTubers. From there, I started following hololive beginning with the 3rd generation, then got hooked on Pekora, and eventually watched them all playing the large-scale online game Rust together. That’s when I discovered Shirakami Fubuki—her voice, her appearance, and her personality completely captivated me, and from that moment on, I fell in love with her.
hT:
With that in mind, it might not come as a surprise, but who in hololive is your oshi, and why? What's one stream, video, song, or any piece of content of theirs that you absolutely love?
Gordon:
Shirakami Fubuki. First off… I love けもみみ( animal ears ) and her voice always so calm and friendly
Wifey material 🙏🏻
I love “Story teller” the most.
hT:
For viewers who might not be familiar with you yet, could you tell us about the kind of content you create in the hololive community?
Gordon:
I turn my fantasies into something everyone can see and experience as reality—by collaborating with animators and handling the editing myself, I bring her to life.
I also create outfit inspiration pieces based on hololive members.
hT:
Speaking of collaborating with animators and handling the video editing yourself, I noticed you work with a studio called Studio Kimchuq, as well as a voice actress, little_world_gua; I'm curious how those partnerships began!
Also, could you walk us through your editing and creative process, from storyboarding to compositing the final animation? What's it like coordinating between your vision of bringing Fubuki to life, the CV delivery, and the animation team's final result?
Gordon:
Actually, before I started working with my current animation studio, I had already sent out a lot of DMs online to different studios to ask if they were interested in collaborating on animation projects (of course, paid collaborations).
Out of many many studios I contacted, only a few would reply. From there, we would discuss schedules and availability to see if they could take on my project. In the end, only one or two were a real fit — and Studio Kimchuq was one of them.
After reviewing their previous work, I was really impressed by their passion for animation and their attention to detail. That’s when I felt, “This is the studio.” And that’s how our collaboration on various animation projects began.
As for the voice acting, it actually came from a friend of mine who has experience in voice work. She’s from Macau, and I felt her vocal range was versatile enough to portray Fubuki’s voice convincingly.
I’m truly grateful to both of them for believing in my vision. When we first started, nobody knew how the final result would turn out or whether it would be worth the time investment. Thankfully, they trusted that the project would come together well and did their best to accommodate my requests.
Most of my creative inspiration actually comes from music. Sometimes when I hear a melody, I naturally start imagining little everyday moments between me and Fubuki. While listening, I immediately jot down the scenes that appear in my mind.
From there, I translate those raw ideas into a structured script, storyboard, and shot list that everyone on the team can clearly understand.
Then I move into filming.
Honestly, the shooting process can feel quite awkward — because I’m essentially talking to empty air. But in that moment, I have to fully believe that Fubuki is really there.
For each shot, I usually have to film twice. One version is the actual performance, and another is for the animator’s reference. I physically sit where Fubuki is supposed to be so the animator can accurately understand the lighting, shadows, colors, and height positioning.
I also act out Fubuki’s role myself to demonstrate her reactions and movements frame by frame. I usually add subtitles or notes to clearly explain the intended expressions and actions.
Once the script and dialogue are ready, I send the script to the voice actress. After one or two days of back-and-forth adjustments, we finalize the tone and rhythm that best match my vision.
Next, I sync the recorded voice with the footage of me performing alone, and I begin the color grading process.
After that, the materials are sent to the animator.
The animator then produces the animation based on my script and references. At every major step, they send updates back to me for confirmation.
When the animation is complete, I bring everything back into my editing software and composite the animation with my live footage. I then fine-tune the color and lighting based on my visual preferences to make the integration feel as natural as possible — although many times the animator has already done an excellent job, so only minor adjustments are needed.
( Tried to cover as much details as possible, but there're still more haha )
hT:
I've seen some of the outfits you've put together inspired by the hololive members, and may I say they look quite classy. I'm especially a fan of the Ame and Mumei outfits you created, but they're all really fashionable.
Could you tell me a bit about the your thought process behind the outfits you design? I’d love to hear more about your fashion sense, the subtle changes you make from the original, the tailoring (if any) behind it, and so on.
Gordon:
I personally really love the Mumei outfit as well — it turned out very classy. In fact, this entire series came from a simple thought: I was surprised that no one had really explored this concept before, because it felt like such an interesting creative direction.
That said, I want to be very honest — my formal knowledge of fashion is quite limited. However, I was very passionate about bringing this idea to life. I did try to study fashion more deeply, but I quickly realized that styling at a high level is far more complex than it appears.
Because of that, I reached out to a friend from Malaysia, Anthony, whose personal styling I’ve always admired. Whenever we went out together, I consistently felt he had a very strong sense of fashion. I invited him to take the lead on styling for this project.
Interestingly, this was actually his first time doing styling work for someone else — he usually styles himself purely by instinct. To ensure the best possible outcome, he also collaborated with a friend who normally assists him with styling. Together, they helped handle the wardrobe direction for the project.
My role in the process begins with research. I gather the character’s full reference materials online, especially the three-view character sheets, and carefully break down their defining traits — including signature accessories and visual motifs.
I then brief Anthony on the character’s background, personality, and overall vibe. My goal is always to help the stylist fully understand the character so that the final outfit can capture the character’s essence while still feeling natural and fashionable in real life.
Once the styling direction is about 70–80% locked in, Anthony always checks back with me to confirm we are aligned creatively. I have to say, his execution has been incredibly strong, I’m genuinely very satisfied with the results he delivers.
Because I provide my height and body measurements in detail, he spends significant time sourcing different clothing options to achieve the best possible fit and silhouette. When necessary, we even commission tailoring work to refine the pieces further.
So in reality, producing a single episode with four outfits can become quite costly. 🥹
Recently, Anthony has been quite busy, and since styling is not his full-time profession, I’ve started taking the initiative to study and experiment more on my own. I’ve been learning more about outfit coordination and fashion fundamentals, and I’ve already put together a few looks that I’m personally very happy with.
Hopefully, I’ll be able to share those new outfits with everyone very soon.
hT:
Beyond bringing Fubuki to life and creating outfit inspiration pieces, you spent nearly half a year with @lammatung creating a life-sized figure of Fubuki in her outfit from her 1st album, FBKINGDOM "Blessing". I can only imagine how much love and effort went into that project.
What inspired the idea, and how did the production process unfold from start to finish? What were the biggest challenges, and how'd it feel seeing the full, completed figure for the first time?
Gordon:
I'm putting together a documentary about this project, will have more details soon :)
hT:
Interesting, I’m looking forward to your documentary!
Last year, you distributed FBKINGDOM Passports at hololive 6th fes., giving them away for free to fellow Sukonbu! Did you design and produce those yourself? I'd love to know the idea behind that project.
Gordon:
I’m truly grateful that so many Sukonbu came to pick it up — the support honestly meant a lot to me. If I remember correctly, I produced around 100 copies in total. What made the project especially intense was the timeline: I only decided to move forward with it roughly ten days before hololive 6th fes., so the entire process was extremely rushed.
There wasn’t an overly complicated concept behind it. My main intention was simply to create something that fellow Sukonbu could both use and genuinely enjoy.
From a design perspective, the approach was actually quite straightforward. I used the Hong Kong passport as a structural reference for the layout, while the core graphic element was based on the FBKINGDOM logo. I focused on clean formatting and clear visual presentation, then quickly coordinated with the manufacturer to rush the production.
Fortunately, the timing worked out in the end — I received the finished batch just two days before flying to Japan. That allowed me to successfully bring them to the event and distribute them to fellow Sukonbu in person.
At the end of the day, the most important thing for me was simply seeing everyone happy.
hT:
You've created everything from fun, memey, "shitpost" videos to more ambitious, heartfelt projects like the life-sized Fubuki figure. How would you say your content has evolved since diving back into creating in 2022? Has your mindset around content creation changed as well?
Gordon:
That’s a great question.
When I first returned to content creation, my mindset was still very much rooted in how I used to create in the past. I hadn’t fully adjusted to the current social media landscape yet, so I spent a period actively experimenting with different styles and formats while trying to identify a direction I could truly focus on.
In my view, the hardest part of being a content creator is discovering your own identity — your persona, your style, and your niche. If you simply follow trends and produce the same type of content as everyone else, there’s no strong reason for audiences to choose you over someone else. In that situation, you can be replaced very quickly.
By around late 2023, I became much more conscious of this. I realized I needed to recalibrate my approach. Since then, I’ve been consistently pushing myself to think deeply about what hasn’t been done before — but also what I personally feel excited and fulfilled creating.
That process ultimately led me to the direction I’m pursuing now. It’s definitely a high-risk and high-cost path, but I strongly believe in the potential of blending live action with character animation. Very few creators were seriously exploring this space at the time, and my mindset was simple: if no one is doing it, I’ll do it first. Execution matters more than perfection — start first, refine later. I chose to trust my instincts.
Fortunately, the response has been very encouraging. Not only have audiences reacted positively, but the performance data also shows that many viewers genuinely appreciate quality-driven work over pure volume.
Because I’ve chosen this path, I hold myself to a very high standard. Every piece I release needs to be worthy of the audience’s time and support. I truly believe the passion and effort that my animation partners and I invest into these projects will continue to reach and resonate with an even wider audience moving forward.
hT:
You've grown quite popular on social media sites, Instagram especially. As someone who may not be as familiar with the Instagram scene, how would you describe the community over there compared to other platforms like X/Twitter or even fan communities on Discord?
Gordon:
Instagram is very visual and discovery-driven. It’s great for reaching a broader, more casual audience — people often engage through memes, aesthetics, or short-form content. That makes it powerful for growth and for introducing anime or VTuber culture to new viewers.
X on the other hand, tends to have more die-hard fans. Especially in the Hololive community, all hololive members are very active, Because of that, the fanbase there feels more plugged-in and passionate. There’s also a real chance your posts can get noticed by your oshi, which creates a strong motivation for fans to stay active and engaged.
Discord for me is a space for fans gathering and chat and meet up.
hT:
Speaking of community, I'd like to introduce a special segment in the hololive TODAY Interview series, where we invite a previous interviewee to ask you, our current guest, a question of their own! A fellow Sukonbu and someone you may already be familiar with, Hyde, wants to know the following:
"Dear Gordon,
My Sukonbu-in-arms, fellow FBKING enjoyer, loyal citizen of the FBKINGDOM.
As fate would have it, I got to be the guest interviewer for YOU! 🫵
Here are my questions for you.
I want to ask why you chose Fubuki as your oshi. (As a fellow Sukonbu I can pretty much guess your answer, but for the sake of the readers, pray tell!)
Also how do you balance your life between your work and your Oshikatsu.
And I'd like to hear your opinion on the comparison between the hololive community back then (2022) and now!
Lastly this isn't a question per se, I just want to tell you that I always admire your support for Fubuki, the length you take to support and appreciate her is remarkable in my eyes. If I had to name a few people that I know on top of my head who I think are the most loyal fans to their oshi, you would be one of them.
FBKINGDOMに栄光あれ！"
Gordon:
Omg… Hyde Sensei 😭😭
You have no idea how much I look up to you and appreciate your art.
Okay okay — let me answer the questions first before I go too deep into my appreciation for you haha.
Honestly, I think the beauty of it is it doesn’t feel like I chose Fubuki — it feels like I was naturally drawn into becoming a Sukonbu.
It genuinely feels like destiny. Meeting her through that stream at that exact moment — and falling in love with her ever since — just felt meant to be.
I love the way she laughs, reacts, and speaks.
I love how her fox ears fold when she gets shy.
I love how nerdy she is.
I love how cute she is.
I love how well she takes care of us Sukonbu.
I love how her tail wiggles.
I honestly feel at home whenever I hear her voice.
(The list goes on forever.)
But if I had to pick the main reason — it’s that she can always make my day and make me smile like a little kid.
Regarding balancing life, work, and oshikatsu…
I actually quit my 9-to-9 job back in 2022 after being in the Hololive rabbit hole for a while. So if we’re being real — my current lifestyle is basically freedom + oshikatsu.
I’ve integrated content creation into my daily life, so in a way, supporting my oshi and working have become the same thing. I’m very grateful that this allows me to live happily day to day and also travel to as many Hololive events as possible.
Every day I’m just thinking about what kind of content I can create to spread the glory of our king and let more people know about her.
Of course, on the practical side, I do take on commercial collaborations and sponsored work to sustain myself… otherwise I would probably go bankrupt very quickly 🥹
As for the Hololive community — interestingly, back in 2022 I actually wasn’t very involved in the community side. I was mostly watching on my own, and none of my close friends were really into Hololive at the time. So I can’t really say the differences, but one thing I know is the community has always been full of love.
It wasn’t until 2024 that I started actively joining Hong Kong Hololive fan events. I still clearly remember going to Fubuki’s solo live in Japan — that was my first offkai. I was honestly pretty shy and didn’t talk much, even though I knew everyone there loved Fubuki just as much.
But now, after meeting more friends in the community and traveling to different countries for Hololive events, I keep running into familiar faces everywhere.
To me, The biggest change isn’t the community — it’s how active I am in the community. I participate more now, experience more than I used to be, and have met so many holofans from around the world.
That said, you can definitely feel that the overall fanbase has grown massively, and that honestly makes me really happy. The more people who can enjoy and experience this culture together, the better.
Hyde Sensei 🥹
What you said really means a lot to me
You are a huge inspiration to me. The love and appreciation you have for our king can truly be felt through every stroke of your artwork. Your work really speaks for itself.
(I’m not even kidding — I use your art as my phone and laptop wallpaper 🥹❤️)
Sometimes when I meet other Sukonbu at events, they call me a representative of the Sukonbu. But honestly, I always say:
“I’m still far from that level — Hyde Sensei is the true goat of the Sukonbu.”
I’ll continue creating more contents, keep chasing Hyde Sensei’s footsteps, and keep spreading the glory of our king.
Together, We’ll all make the FBKINGDOM stronger and stronger. FBKINGDOMに栄光あれ！
hT:
Having been part of the community for about four years now, what's it like being a part of the Fubuki fan community? More broadly, what do you think makes the hololive community unique compared to other fandoms you may have been part of?
Gordon:
Being part of the Fubuki fan community over the past few years has honestly been one of the most wholesome experiences I’ve had online.
First of all, I’m really proud to be part of the Sukonbu community. I truly feel we are all very dedicated, talented, kind, and passionate. There’s this unspoken understanding that we’re all here because we genuinely appreciate our KING— not just for the cute moments, but for her personality, her hard work.That naturally creates a very warm and supportive atmosphere.
Personally, I actually haven’t been deeply involved in many other fandoms. I do love some artists — for example I’m a huge fan of YOASOBI — but the experience feels more distant. With traditional artists, you often have to wait a long time for concerts or major appearances.
With VTubers, it feels very different. Because they stream so frequently, there’s a much stronger sense of presence. You don’t feel like you’re only seeing them once in a while — they’re consistently there online, sharing moments with you.
Another thing that really makes the Hololive community stand out is how creative the fans are. People aren’t just watching — they’re constantly making fan art, animations, music remixes, memes, and event projects. The level of fan contribution is honestly incredible.
hT:
I saw that you recently attended Suisei's live "Supernova REBOOT", and you were also at Fubuki's solo live last year! Seems like you were even spotted in the concert stream. I'd love to hear about memorable moments you've had at offline experiences like these!
Gordon:
Yesss — getting spotted in the concert stream was wild! I was so happy that I even got to show off my goods on camera.
I was actually sitting with my friend Tony during the solo live, and the camera was right in front of us. Tony told me, “Since the camera is this close, the chances of getting your shot are huge — you better be ready.” And… yeah, it actually happened! That was one of my very first major offline experiences like that, so it felt extra surreal.
An even crazier offline moment for me was during Holomeet Hong Kong in July 2025, when I got to briefly interact with Kobo and Bae.
I was wearing a white hat at the event, and when the MC was picking someone from the audience, I guess my hat somehow stood out and they chose me to go on stage and join the mini-game with Bae and Kobo.
It was honestly so much fun, but I was also extremely nervous. Hearing both of them say “Hello Gordon” on stage… I completely melted.
hT:
Through all your experiences creating content, attending events, and engaging with the community, what are some things you've learned about yourself, not just as a content creator, but as a hololive fan?
Gordon:
Looking back on the past few years, I think the biggest thing I’ve learned about myself is how deeply I value connection, not just with the content, but with the people around it.
As a content creator, Hololive pushed me to be more expressive and more courageous in sharing what I genuinely love. Before this, I was actually quite reserved about my interests. But supporting Fubuki and creating content around that passion taught me that when you’re sincere, people can really feel it. That sincerity is what builds trust with your audience.
And as a fan, I’ve learned that oshikatsu, at its healthiest, is really about appreciation and positivity. It’s not just about collecting goods or attending events — it’s about celebrating the talent’s hard work and contributing to the community in your own way.
I’ve also realized I’m much more willing than I thought to step out of my comfort zone. A few years ago, I mostly supported quietly on my own. Now I’m traveling for events, meeting fans from all over the world, and putting myself out there creatively.
Most importantly, I’ve learned that passion, when channeled properly, can become something very productive. What started as simple fan love has grown into content creation, real-world friendships, and experiences I never would have imagined.
So in a way, being part of the Hololive community didn’t just change what I watch, it changed how I express myself and how I connect with people.
hT:
What are your current interests, both inside and outside the hololive community?
Gordon:
Content creation is still my biggest interest right now. Many people might not know this, but I actually have a degree in film production, so I’ve always enjoyed the process of visual storytelling and crafting engaging videos.
I also really enjoy landscape photography — it’s something that helps me slow down and appreciate different environments when I travel.
In recent years, I’ve also fallen deep into the snowboarding rabbit hole. It started as curiosity and quickly became a serious hobby for me.
So when Fubuki announced the ski collaboration starting from February 26, I was instantly locked in — I’m 100% going.
hT:
And for our final question, do you have a message you'd like to share with your followers, fans, or the broader hololive community?
Gordon:
Huge thanks to all of you. Your support is truly what brought me to where I am today, and I’ll continue working hard to create more content that you can enjoy.
I also want to say sorry that I haven’t been able to post as many animations as some of you are here for — those really do take time — but I’m doing my best and will keep improving.
Most importantly, please continue to support your oshi whenever you can, and while you still can. These moments and memories are precious.
これからもよろしくお願いします !
hT:
That's all we have for you today, Gordon. Thank you again for taking the time to have this conversation with me and for sharing more about yourself and your experiences in the hololive community!
Gordon:
Thank you so much for having me — I really appreciate the opportunity to share my experiences.
It honestly means a lot to be able to talk about my journey as a Sukonbu and as a content creator. I’m very grateful for all the support from the community.
And of course — all glory to our king.
FBKINGDOMに栄光あれ！ ✨
And thank you, the reader, for checking out our sixth interview here at hololive TODAY! We’d like to sincerely thank Gordon for taking the time to share his experiences, creative process, and thoughts over the years as a hololive fan.
We hope readers learned more about Gordon’s genuine passion and support for Fubuki. From his videos to his fan-driven projects, his content shows us that oshikatsu is truly about appreciation and positivity, finding ways to celebrate your oshi and their hard work while contributing to the hololive community in your own way.
Be sure to check out and support him on social media below.
X/Twitter page: https://x.com/hky_gordon
Instagram: https://www.instagram.com/gordonyeung314/
It’s a great privilege to feature all these passionate individuals in the community who contribute to how hololive and its talents are appreciated around the world. Stay tuned as we share even more stories from across the hololive fandom in future inteviews!
